THE PLAIN AND THEIR GASTRONOMY
martes 23 de marzo de 2010

GASTRONOMY

Te topocho or banana (bread) and the rice completes the plate common of the savanna llanero. Te coffee or guarapón close the food.
Other foods are made with wild pigs, chigüiros, turtles, ducks and fish that are plentiful especially in the summer. He/she eats cheese and curd, it is not very vegetarian. He/she takes it dilutes since he/she gets up. Some accustom swigs of liquor before the breakfast that you/they call themselves mornings. Te punch, the hayacas, the one parboils and the one boiled, they are foods, social. Te sucker is so much food of work as of social meeting.
Te favorite fruits are the mango, the orange, the pineapple, the banana tree, the avocado, the joba, the papaya, the sideburn, the guanábana, the guava and the lemon; this it not intervenes alone in the food like sweet or lemonade, but rather it is used in the prevention and cure of illnesses. Clean the blood, avoids the influenzas and it drives away the pests.
Publicado por THE PLAIN AND THEIR GASTRONOMY en 07:30 0 comentarios
martes 2 de marzo de 2010

CREOLE HAYACA

1 kilo and half of pig meat and of head 1 pound of onion 20 envelopes of cumin 10 envelope of color 1 head of garlic ½ pound of peas green 1 package of flour bread 11 flask of oil and he/she mediates of salt 1 pound of potatoes 4 dozens of leaves and hooks of bananas
PREPARATION intersects the leaves, you suasan and they are grated. the meat is cooked and you itches tiny leaving 20 preys separated. he/she peels the onion and you chops menudita well leaving 3 onions separated. the garlics are mashed and they are added to the chopped meat and the onion for the stew. the peas are cooked and they are added to the stew, with good oil, color, cumin and it fries lightly. he/she mixes the flour in the broth of the meat and he/she is tossed the stew of the meat with salt to the pleasure, he/she puts on in the fire for some minutes, and he/she retires, and it is already it lists this part of the stew. they peel the potatoes, the 3 onions and you itches in slices and the 20 preys are added. a little bit of flour is kneaded to anoint to the leaves. Now wrap the hayacas. he/she washes the leaves and it places them in the table, two for each a so that they don't break. he/she is anointed a little bit of mass and they are added two soup spoonfuls of stew, they are put two potato slices, 2 of onion and the meat prey up; he/she coils the leaf corner to corner. they bend the tips of for behind tiing the tips of the hayacas with the banana hooks, leaving bosalito to grab them of eye to loose them. cook you well in little water with salt and very covered during 1 hour, lower them and take out them so that he/she is left the little water that it has been. Loose it and eat.
Publicado por THE PLAIN AND THEIR GASTRONOMY en 05:30 0 comentarios

EMPANTALONAO DE MORROCOY

tortoise or morrocoy 1 pound of flour of corn 2 onions ½ spoonful of cumin salt to the pleasure, onoto or color 5 spoonfuls of shortening or oil PREPARATION Te tortoise or morrocoy, are quartered or it removes the shell, the preys are taken out, it peels them in hot water, then he/she washes it; it chops the preys and it mounts them to cook, salt is added to the pleasure. When it is cooked that are soft the preys, the sack and the guise separated, he/she adds him the onion, the color, the oil and the cumin; it revolves the preys with that dressing; then he/she prepares the mass of flour like it stops round maize loaf, it kneads it, he/she adds him salt to the pleasure, it extends a layer of flour, and inside of it tosses a prey and it wraps it in the flour; it tosses it to fritar and it wraps prey and it wraps it in the flour; it tosses it to fritar and it wraps all the preys and the fried one until they are clever to eat.
Publicado por THE PLAIN AND THEIR GASTRONOMY en 05:30 0 comentarios

SUCKER

Veal to the Llanera or Sucker.
Veal to the llanera or roasted becerra: a becerra is killed approximately of six months God willing "Creole"; the meat preys are taken out that you enchuzan in big stakes that put on around a blaze to slow fire, after having him position salt. He/she doesn't get used to put him any condiment, alone true roasted meat takes salt and candle. With pieces of pajarilla meat, heart, chunchullos, kidneys, liver and lung is made the entreverao. That is to say that all these pieces go to a single chuzo wrapped in a cloth of the gut of the head. In the veal to the llanera gets used to serve the meat, with cooked green banana, the same thing that yucca and the topocho, in a table covered with banana leaves, to the one that the whole mundose Preposition to catch their portions.

GASTRONOMY

Te topocho or banana (bread) and the rice completes the plate common of the savanna llanero. Te coffee or guarapón close the food.

Other foods are made with wild pigs, chigüiros, turtles, ducks and fish that are plentiful especially in the summer. He/she eats cheese and curd, it is not very vegetarian. He/she takes it dilutes since he/she gets up. Some accustom swigs of liquor before the breakfast that you/they call themselves mornings. Te punch, the hayacas, the one parboils and the one boiled, they are foods, social. Te sucker is so much food of work as of social meeting.

Te favorite fruits are the mango, the orange, the pineapple, the banana tree, the avocado, the joba, the papaya, the sideburn, the guanábana, the guava and the lemon; this it not intervenes alone in the food like sweet or lemonade, but rather it is used in the prevention and cure of illnesses. Clean the blood, avoids the influenzas and it drives away the pests.

1 kilo and half of pig meat and of head 1 pound of onion 20 envelopes of cumin 10 envelope of color 1 head of garlic ½ pound of peas green 1 package of flour bread 11 flask of oil and he/she mediates of salt 1 pound of potatoes 4 dozens of leaves and hooks of bananas

PREPARATION intersects the leaves, you suasan and they are grated. the meat is cooked and you itches tiny leaving 20 preys separated. he/she peels the onion and you chops menudita well leaving 3 onions separated. the garlics are mashed and they are added to the chopped meat and the onion for the stew. the peas are cooked and they are added to the stew, with good oil, color, cumin and it fries lightly. he/she mixes the flour in the broth of the meat and he/she is tossed the stew of the meat with salt to the pleasure, he/she puts on in the fire for some minutes, and he/she retires, and it is already it lists this part of the stew. they peel the potatoes, the 3 onions and you itches in slices and the 20 preys are added. a little bit of flour is kneaded to anoint to the leaves. Now wrap the hayacas. he/she washes the leaves and it places them in the table, two for each a so that they don't break. he/she is anointed a little bit of mass and they are added two soup spoonfuls of stew, they are put two potato slices, 2 of onion and the meat prey up; he/she coils the leaf corner to corner. they bend the tips of for behind tiing the tips of the hayacas with the banana hooks, leaving bosalito to grab them of eye to loose them. cook you well in little water with salt and very covered during 1 hour, lower them and take out them so that he/she is left the little water that it has been. Loose it and eat.

!!!! SUiTs Of THE PiJa ¡¡¡

THE BEAUTY OF THE PLAIN

HISTORY:

The dance that identifies the man is joropo Plainsman. In this dance dance expresses the Plainsman pride, bravery, machismo, and some activities of its natural environment. According to the maestro Alberto Londono joropo comes from the Arabic word meaning Xarop syrup. Regarding their origin, is believed to have its roots in the Old Continent, because apparently the joropo born of flamenco and Andalusian dances brought by the Spanish missions during the colonial period, of which some features are still conserved (the tap ) but it is considered that the joropo not a copy of European dances in mention. Probably the footwork of flamenco and Andalusian dances influenced the initial shaping o

ur joropo, but with all the elements that gave the fusion of cultures and tap joropo is special, took root in our environment to adapt and amended in accordance with the interests and feelings of our communities. Due to this is "our joropo" a ball pen, suitable for the recreation of our people, the Ranger, with which they celebrate their festivals, family, religious and cultural.

Some steps marked with it(he,she) quotes

Being more rigorous, we have the following subdivision of bl for the Venezuelan national dance plainsman:1. Quirpa2. Banter that rags 3. Periquera 4. Overcoat 5. San Rafael 6. Chipola 7. Pajarillo 8. Six for right 9. Catira 10. Merecure 11. Cunavichero12. Guacharaca 13. Diamond 14. Carnival 15. Camaguán 16. New callao 17. Six numerao 18. Toad 19. Water dog 20. Mamonal 21. Wild animal 22. Caracolitos

Suit of the masculine dance

The man uses: hat to protect it from the climate and his(her,your) inclemencies.The shirt and the trousers that they are the articles(garments,securities) that cover his(her,your) body.Liquiliqui evolution of the trousers garrasí and the shirt cachicamita, can be made in colors whitly or dark blue.The woman takes his(her,your) hair brushed elegantly and adorned with tapes or some flowers.There uses a simple skirt of clear colors and a blouse neck tray with short sleeves.Both the man and the woman dance with you quote or barefooted.

Male suit

This was called Liqui liqui, liquidation or liquid derived a Casanareño Ranger costume shirt embroidered with gold which was called cachicamita, this name came from the animal called armadillo own wildlife llanera, whose shell seems to have been made of grooves as is the shirt folds that go in the chest. The pants are called Claws this was not ornamented at the seams and down a little more knee to vent the interior, called it a turkey, goose claw then, this dress was made of cotton and painted stripes. The man at first wore white pants rolled up to mid-calf or tuco (across the river) white or red shirt without a collar. Also black pants with white shirt. Sometimes wore dresses kaqui full color shirt that came down over loose trousers, completing her outfit quotes thread and leather soles. Characteristics of joropo Suit El Baile del Joropo is characterized by clinging couples where the man holds the woman by both hands. In its theme, the dance poses the dominance of men over women and nature in general, it is he who takes the initiative, which determines the models you make. She simply notes the moves he made against her and follow it with skill. At a dance there are two main positions joropo is tipped rope. They take both hands and keeping some distance Valseo position, the right-hand man passes by the woman's waist and her left hand holds the right of it, while the left rests on the shoulder. When man tap, brush women. The man just tap the ring when they occur on the harp and / or mandolin, that is when he calls the rope. Posted by Ranger at 07:42 0 kom comments plain costumes

Female attire

The Llanos adorn your outfit with lace, chain rings, is perfumed with natural flavors (jasmine, basil, mastranto) and others such as those available commercially; llanera She prefers to loose hair with a Cayenne; footwear, contributions of black wire, low-heeled shoes, women in trades dominated savanna that gives ease and grace to walk lately for all events are using the black miniskirt. The hat, poncho contributions and are essential elements in the costumes of the Llanos. The hat gives identity to the man of the plain, forming a team with your horse that allows you to be faithful exponent of a race that through hard work, sacrifice and work from the other Colombia builds a better future for coming generations. With his hat to greet friends, fight the res, scare the dog etc ... On the plains, the palm on the palm, the heavens on my horse, I, and I, my hat, "says the proud Ranger that runs through the savanna in daily tasks. On the plain but has been used hats of all sizes for wings and drinks and all equipment and method has dominated the wide brim and heavy equipment, such as beaver and pelueguama felt hat should be a little heavy for not fall with the breeze pushed or jumping horse. Ranger's Pride is seeking to bring a good hat, is said to be derived by the Ranger hat, some with embroidery it hanging on the neck, others with egret feathers or duck and some people will put ribbons on the feasts of coleus Because it is practiced in very warm areas, the male wardrobe is made up of hat, shirt and trousers, known as the Liqui liqui white or dark blue. A woman uses elegant hairstyle decorated with flowers or ribbons, also wears a simple skirt and a light colored short-sleeved shirt with collar bandeja.Definitivamente who travel to the Plains this vacation can not miss this cultural dance in actuality it is the most representative of the region.

Recreative event that there allows to evoke the customs Of. The people (village) plainsman Of. A playful way with the spontaneous participation Of. the assistants (attendees), recapturing the cultural traditions Of. the zoneAcross romantic songs, Venezuelan national dance, passages (tickets) plainsmen and the traditional ONE I compete, we ilústrate to feel and the folklore plainsman. All that at the expense Of. a quartet plainsman for musicians Of. the región llanera.

GENERAL AIM (LENS)

TO FOMENT AND TO PROMOTE THE CULTURE LLANERA OF OUR MUNICIPALITY IN ORDER THAT THEY KNOW HER AND I KNOW POSECIONE EVERY TIME WITH MORE HEIGHT.

SPECIFIC AIMS (LENSES)

PLAINSMAN PROMOTING OUR CULTURE TO INTERMUNICIPAL LEVEL AND DEPARTAMENTALRESALTAR THE NEW VALUES OF THE FOLKLORE THE POPULATION TO INTEGRATE (REPAY) IN ORDER THAT ENJOYMENT AND IT (HE, SHE) TAKES DELIGHT ENJOYING OUR FOLKLORE.

REGULATION AND BASES OF THE CONTEST WHO CAN TAKE PART?

FOND PLAINSMEN AND MAJOR PROFESSIONALS CAN INFORM ALL THE FOLCLORISTAS GIVE 15 YEARS IN FORWARD. EXCEPT THE INFANTILE AND JUVENILE CATEGORY IN THE MODALITY DANCE OF THE VENEZUELAN NATIONAL DANCE THAT GOES FROM 8 YEARS UP TO 12 YEARS (INFANTILE) AND THE JUVENILE CATEGORY GIVES 13 To 18 YEARS.

GIVE THE MODALITIESMODALITY CREOLE PASSAGE(TICKET) SILVADO THIS MODALITY IS NEW CREATED BY THE GENTLEMAN: JIMMY RUIZ VILLALOBOS, IN ORDER STANDS OUT SOMETHING AUTOCHTHONOUS AND TRDICIONAL OF THE CREOLE OF THE SHEET; THAT ONE THAT FORESTALLS TO MILKING, THE FACT THAT SABANEA, WHICH BA ADVANCES IN CABRESTERO's RANCHING(CATTLE), WHICH HURRIES ALONG, THE CHOCOTERO, THOSE WHO WATCH(VEIL) IN THE NIGHT A RANCHING(CATTLE) IN ORDER THAT I DO NOT KNOW EXTRVÍE. IT IS THE EXPRESSION AND THE CULTURAL MADE IDENTITY FOLKLORE, IS AN ANCIENT ROOT OF EVERYTHING THAT ONE THAT IS A PLAINSMAN I SILVO CREOLE PASSAGES(TICKETS) ¡ and I AM SURE THAT YOU ALSO.

IN THIS MODALITY THE COMPETITOR WILL BE ABLE TO INTERPRET ANY PASSAGE (TICKET) WITH THE SILVO, HE (SHE) CAN BE INNEDITO BUT THAT HIS (HER, YOUR) MELODY CREOLE, SINCE ONE OF THE REQUIREMENTS IS ESCENCIALES TO DEFINE THIS MODALITY. THE GROUP BASED WILL INTERPRET THE SONG AND THE PARTICIPANT SILVARA INSTEAD OF SINGING IT

ASPECTS TO CLIFICAR

FLAVOR CRIOLO 20 %
CLEAR (BRIGHT) SILVIDO 25 %
CREOLE MELODY 25 %
I HANDLE OF BREATHING 15 %
ACCEPTANCE OF THE PUBLIC 10 %
TYPICAL SUIT 5 %

MODALITY DANCE PARTNERIN THIS MODALITY I KNOW TENDRAN TWO CATEGORIES WHICH DIVIDE OF THE FOLLOWING FORM:

INFANTILE CATEGORY (GIVE 8 To... 12 YEARS)
JUVENILE CATEGORY (GIVES 13 To 18 YEARS)
IN THE MODALITY DANCE PARTNER WILL QUALIFY IN THIS SECOND VERSION THE DANCE OF SPECTACLE WITHOUT SALIRCE OF THE PARAMETERS AND ROOTS OF THE VENEZUELAN NATIONAL DANCE

ASPECTS TO QUALIFY

CREATIVITY 25%
ACOPLAMIENTO 20 %
SPECTACLE 25 %
TAPPING AND ESCUBILLEO 15 %
MOVEMENT 10 %
WARDROBE 5 %

BETS OF THE INSTRUMENTS LLANERO

INSTRUMENTS

Typical instruments used in the interpretation of llanera music is the harp, the cuatro and maracas, like the mandolin and mandolin that has gradually been displaced by the harp as well as others like this again furruco rebirth and the cirrampla which is no longer used.

ARPA

Llanera harp is a typical musical instrument of the Colombo-Venezuelan eastern region, has 32 or 33 nylon strings of different sizes and arranged in a musical scale depending on thickness. It is usually constructed from cedar. Llanera harp is closely related to artistic and musical expressions of eastern Colombia, from its incio acquiring a value of "property" regional on the instrument. According to Margarita Aristizabal in Arauca craft book, the legend of the instrument, "explains the appearance of the harp by a hunter to shoot an arrow with his bow saw a musical sound. So I repeated the procedure and to obtain a new sound added more strings to the bow, and as the movement impressed on his fingers, the length and fit

FOUR

Many call it the Four guitar, but the fourth is far from being one, since it has four strings and is smaller. Another difference between the guitar and the four, is that the first, most widely in technique, is sounded by tapping the strings with the fingertips (tapping), while the second, run mainly by strumming or charrasqueo.

THE BASKETS

The Bucket, Maracas and Chucho totumitos Made to fit well in hand, in some regions a maraca was bigger and the sound was more severe and was told: Macho, the other was said to him rattle or cascabelina.Se calyx seeds deposited him and then being told the maracas mats or baskets. Also called them dogs. The maracas could be scraped, drilled very small holes and Maraca pintadas.La Precolombino Instrument is the contribution to folklore Aboriginal Ranger.

BANDOLA

also brought by the colonizers of Spain and slightly modified. It consists of a sounding board, smaller than a guitar and has 4 strings. There are very few dishes and played with pen in Venezuela is not considered as a basic tool of llanera music, however here in Colombia's mandolin harp replaces some groups ... There are several modifications such as the mandolin that consists of 8 strings.

FURRUCO

The furruco indigenous instrument used to mark the low of the tunes. This consists of a hollow wooden cylinder at both ends, one lined with leather. Has at its heart a stick. To play the instrument, join the palms of the hand with the wand between two and slides down, causing a vibration which sounds very much like a bass.

THE CIRRAMPLA

The instrument that Cirrampla cost of a wooden stick which has tied a rope along, and as a sounding board using the mouth, vibrating the string with the fingers. Today may be considered "extinct" folklore, because no one teaches their execution and was used only here in Colombia.

enlacehttp://thebestofinstrumentsllaneros.blogspot.com/

HOLIDAYS

HolidaysDuring the year the city hosts many cultural events and economic order. For career achievement can be stated among others:
January: Catama Fair.
April 6: Official Celebration of the founding of the city.
June-July: International Festival Joropo.
1 July: Day of the Department. 16th July: Party of the Virgen of Carmen.
October: World Championship Cole.
November: Expocámara.


- Villavicencio is the cradle of Colombian Song Festival, held every year and is dedicated to the typical rhythms of the plain. Also at the Fair Villavicencio Agroindustrial Catama in the month of January; The Official Celebration of Founding of the City, on 6 April; Joropo The International Festival in June-July, the day the Department, July 1 , La Fiesta de la Virgen del Carmen, on July 16, World Championship Cole (indigenous sport that involves taking a cow by the tail from a horse and make him fall to the ground), in October and The Expocámara in November. Livestock and Equine Agribusiness Exhibition Grade "A" Catama It falls in the month of January to select the best specimens of horses and cattle in the country. Villavicencio Anniversary On April 6 is celebrated the birthday of the city with different cultural and folkloric events. World Meeting of Cole in October coleadores meet national and international to play this event held in the sleeve of Rodeo Benedict Cely, located in the park the huts. "The joropo is the traditional dance of the Eastern Plains of Colombia, which outlined the pride, gallantry and everyday life of peasants in the region.

"JOROPO AND QUEENS OF VILLAVICENCIO

In the 41st edition of the International Tournament and the 16th Joropo the International Reign Joropo queens first arrived from other countries other than Colombia and Venezuela. The event will take place from 23 to 29 June in Villavicencio, a town distant 98 km east of Bogota. Their basic instruments are the harp, the cuatro and maracas or mats, while in the dance between men and women tap predominates, apparently inherited from the Andalusian flamenco. International Tournament Joropo is precisely the ideal opportunity to pay tribute to the life and activities of the plains. Representatives of Peru, Aruba, Ecuador and Puerto Rico, among other nations, will be the guests of this holiday Villavicencio.

Tuesday, February 16, 2010